Jenny Daviet studied piano and singing at the Conservatoire de Poitiers and enrolled at the Laurence Equilbey training center for young singers in Paris.
She quickly showed a predilection for Mozart repertoire making her debut in 2010 in the role of Pamina in Die Zauberflöte, followed by Donna Elvira in Don Giovanni, and the First Lady in Die Zauberflöte. She worked then with the Orchestre des Siècles for a series of concerts where she sang excerpts from Idomeneo, The Marriage of Figaro and concert arias, under the direction of Francois-Xavier Roth. In 2013, she joined La Petite Symphonie for a Mozart / Haydn program led by Daniel Isoir.
Deviet also likes the Italian repertoire, performing the role of Annina in La traviata, Musetta in La bohme, Lauretta in Gianni Schicchi and Sister Genevieve in Suor Angelica.
She is also an advocate of contemporary music: she performed Bouchara by Claude Vivier with the Ensemble Le Balcon, and then created two poems for soprano and orchestra with Francois Renaud Orchestra Centuries.
During her first season with the Opera Rouen she maked her debt in the role of Frasquita in Carmen, Blondine in an adaptation of The Abduction from the Seraglio, Clorinda in Rossini’s Cenerentola and participated in the creation of opera by Michel Fourgon based on the life of Lolo Ferrari.
Furthermore she performed Salve Regina by Puccini and Fauré's Requiem under the direction of Laurence Equilbey.
This season, she does again Annina with the Centre Lyrique d’Auvergne and The Dream of a Summer Night under the direction of Laurence Equilbey. She also debuts in the roles of the Second woman in Dido and Aeneas with the Poeme de l’ Harmonie and Serpetta in Mozart’s La finta giardiniera under the direction of Andreas Spering. Daviet also does her first Mélisande at the Malm Opera House and will appear again in Dido and Aeneas at the Royal Opera in Liege.